Wednesday, March 27, 2013

Hilda Koronel movies @ www.mavshack.com


Watch some of Hilda Koronel’s movies at www.mavshack.com:
























at No comments:

Snapshot


Snapshot
  • First Name: Hilda
  • Last Name: Koronel
  • Full Name at Birth: Susan Reid (Moore)
  • Other Names: Susan Reid
  • Age: 56
  • Date of Birth: 17 January, 1957
  • Birthplace: Angeles City, Pampanga, Philippines
  • Build: Average
  • Eye Color: Brown - Dark
  • Hair Color: Brown - Dark
  • Star Sign: Capricorn
  • Ethnicity: Multiracial
  • Nationality: Filipino
  • Occupation Category: Actress
  • Claim to Fame: Lino Brocka`s "Insiang" (1976) and more…


 Biography:

 Hilda Koronel, (born Susan Reid on 17 January 1957, Angeles City, Pampanga), is a FAMAS and Gaward Urian Award winning Filipina actress. Born to a Filipina mother and an American father who was a serviceman in Clark Air Base, she has starred in around 45 films, many of which are critically acclaimed, since 1970.

 Her career got off to an unprecedented start becoming the youngest winner of the FAMAS Best Supporting Actress award in 1970 right at the beginning of her career which she won at the age of just 13 for her role in the 1970 film Santiago.

 In 1975 and 1976 she starred in the Lino Brocka classics Maynila: Sa mga Kuko ng Liwanag, which won six FAMAS awards in 1976, and Insiang, which won both a FAMAS and a Gawad Urian Award in 1977. To date she has won three awards and received 11 nominations.

 Filmography

 Acting Credits

 2012 - The Mistress - Regina Torres
2006 - Don't Give Up on Us - Pilar
2006 – Eternity - Chayong
2005 - Nasaan ka man - Trining
2005 - Ikaw ang lahat sa akin (TV Show) - Susana Ledesma-Ynares
2005 - Hokus Pokus (TV Show) - Matilda
2004 - Santa Santita - Chayong
2003 - Crying Ladies - Rhoda "Aling Doray" Rivera
2001 - Kung mawawala ka (TV Show) - Alicia
2000 – Demons - Bella
2000 - Tanging yaman - Celine
1998 - Labs kita, Okey ka lang? - Marissa
1998 - The Moment You Need Me - 
1997 - Esperanza (TV Show) - Stella
1997 - Hanggang dito na lang - 
1992 - True Confessions (Evelyn, Myrna, & Margie) - 
1990 - Nagsimula sa puso - Celina
1989 - Babangon ako't dudurugin kita - Via
1986 - Nasaan ka nang kailangan kita - Jenny
1985 – Beloved – 
1985 – Kapag Puso’y Sinugatan - 
1984 - Kung mahawi man ang ulap - Catherine
1984 - Working Girls - 
1983 - Palabra de honor - Cristy
1983 - Sana, bukas pa ang kahapon - 
1983 - Sugat sa ugat - Christy
1982 - Gaano kadalas ang minsan? - Elsa
1982 – PX - Lydia
1980 - Kasal? - Grace
1980 - Angela Markado - Angela
1980 - Nakaw na pag-ibig - 
1980 - Evening Class - 
1978 - Marupok, mapusok, maharot - 
1978 - Kumander Ulupong - 
1977 - Kung mangarap ka't magising - Ana
1977 – Tisoy - Lady in hotel hallway
1977 - Basag na kristal - 
1977 - Halikan mo at magpaalam sa kahapon - 
1976 – Insiang - Insiang
1976 – Sakada -
1976 - Escolta, mayo 13, biyernes ng hapon - 
1976 - Aliping saguiguilid - 
1975 - The Nail of Brightness (Maynila sa Kuko Ng Liwanag)- Ligaya Paraiso
1975 - Dugo at pag-ibig sa kapirasong lupa - Jim's Girlfriend
1975 - Hello, Goodnight, Goodbye - 
1975 - Bulaklak man ay lupa - 
1975 - Ibigay mo sa akin ang langit - 
1974 - Weighed But Found Wanting (Tinimbang Ka Ngunit Kulang)- Evangeline Ortega
1974 - Three, Two, One - Gina
1973 - Lupang hinirang - 
1973 - Carnival Song - 
1973 - May isang brilyante - 
1973 - Ganyan daw ang umibig – 
1972 - Till Death Do Us Part - -
1972 - Ang gangster at ang birhen - Rose
1972 - Villa Miranda - 
1972 - Cherry Blossoms --
1971 – Stardoom - Myra Lopez
1971 - Cadena de amor - Rossanna
1971 - Crush Ko Si Sir - 
1971 – Now - 
1970 - Tubog sa ginto - 
1970 - Wanted: Perfect Mother - Ms. Campos
1970 - Santiago! - Cristina
1970 – Haydee - Haydee
1970 - Happy Hippie Holiday 

 Source: http://www.whosdatedwho.com/tpx_52817/hilda-koronel/

at No comments:

Hilda Koronel remembers Lino Brocka and shooting ‘Maynila’


Hilda Koronel remembers Lino Brocka and shooting ‘Maynila’

 By Bayani San Diego Jr.
Philippine Daily Inquirer

 One of the most unforgettable moments in Hilda Koronel’s career, if not in her entire life, was her “funeral” scene in Lino Brocka’s 1975 film “Maynila sa mga Kuko ng Liwanag.”

 The film is in the process of being digitally restored by the Film Development Council of the Philippines (FDCP) in partnership with the World Cinema Foundation (WCF), chaired by Oscar-winning filmmaker Martin Scorsese.

 Ever the stickler for realism, Brocka asked the actress to lie down in a real coffin. Was she spooked!

 “As I lay there, I tried to hold my breath,” Koronel, who’s now based in the United States, told the Inquirer in an e-mail interview. “It was one of those coffins for the indigent. I was not even sure if it was new, or if it had been used before.”

 She recalled that Brocka insisted on shooting in actual locations—as described in the novel by Edgardo M. Reyes. “He preferred real places, not studio sets. He would ask me to walk around Santa Cruz in Manila, and he would steal shots.” The late filmmaker had wanted to remain faithful to the story, she explained.

 Love scene

 Another highlight was her love scene with leading man Bembol Roco. “We shot that in a dingy motel room. I brought my own bed sheets and Lysol (disinfectant).”

 In spite of challenges such as these, she looked forward to every working day with Brocka, Koronel said. “It was always exciting. I knew what he wanted from me because he knew my capacity as an actress. After all, I grew up with him. He trained me [in acting].”

 Brocka, she said, was “my mentor, my father, my friend. I could always discuss my fears with him,” she related. “I could always count on him—whether it was about my personal life or my career. If he said that a film would be good for me, I would accept it without thinking.”

 Huge void

 She added: “He always had my back. I miss him terribly.”

 She pointed out that Brocka, who passed away in 1991, left a huge void in her life in particular, and in the Philippine movie industry in general.

 She said she had most admired Brocka’s intelligence and insight into people, society and social ills. “Lino loved the masses. We both came from humble beginnings. His background, I believe, shaped him and his beliefs. He was never pretentious. He had strong personal convictions and he acted on them. His principles were very evident in his films.”

 Brocka’s movies, to this day, mirror the struggles of ordinary Filipinos. Koronel noted that the director’s body of work shows that, “as in all societies, our country has its good and bad sides. But we, as a people, have survived so much. Despite the odds, we sometimes came out on top. We simply must fight for what we believe in.”

 Great news

 Koronel said she was elated that Scorsese’s WCF, along with “Maynila’s” cinematographer-producer Mike de Leon and the FDCP, had banded together to digitally restore the movie.

 She said it was “great” news and that, hopefully, it would “encourage our countrymen to preserve our cinematic treasures. I hope [Scorsese’s] foundation can also [help] provide us with the resources to protect our films.”

 After these films are preserved, the actress said, audiences should be given access to them.  She is aware that Filipino classics are now being studied in schools. “I had to discuss some films in class when I went to college in Maryknoll years ago,” she said.

 Koronel hopes retrospectives and festivals of Brocka’s films will be mounted all over the country as well.

 “Lino’s movies are timeless,” she said. “The social issues he tackled in ‘Maynila’ remain relevant to this day. It’s important for today’s generation to be made aware of these movies … so they will see that we can make great films. These films are our legacy. These films make us proud.”

 (bayanisandiegojr@gmail.com)

at No comments:
Subscribe to: Comments (Atom)

Daily Guardian: Madness in a time of imperialism

  Daily Guardian: Madness in a time of imperialism   Madness in a time of imperialism March 13, 2026 By John Anthony S. Estolloso ...