Best screen debuts ever
By Nestor U. Torre
Philippine Daily Inquirer
September 1, 2012
Each and every show biz season, scores of new stars
are showcased by producers in “introducing” roles, breathlessly hoping that two
or three of them will survive and end up as screen icons for the long term.
Looking back at a wide range of such “introductory”
roles, it is instructive to see that striking and memorable first impressions
are key to the success of such stellar gambits.
On the local movie scene, for instance, we can
still remember the first shot of the very young winner of Sampaguita Pictures’
Miss Number One star discovery contest in the ’50s, Amalia Fuentes. She did not
say a word, but she did not have to—her flowing and achingly lovely countenance
did all the “convincing” that had to be done for star-struck viewers to realize
that this starlet was special.
Amalia’s male counterpart, Juancho Gutierrez, was
darkly, moodily compelling in his own right, but his star would take longer to
rise, while Amalia’s career got off to a big, bright start.
Decades later, the same thing happened when Hilda
Koronel was given her own, even more dramatic “introducing” shot in “Santiago.”
Director Lino Brocka brilliantly conceptualized a great first shot for Hilda:
After a fire caused by armed strife during the Second World War, a lone
survivor slowly clawed her way out of the ashes and embers, her dirty but
lovely face contrasting beautifully with her bleak and stark surroundings—and
viewers gasped. —What a great intro for the lovely, new star!
In international films, such cinematic “grand
entrances” are the stuff of which screen legends are made: The coldly and yet
luminously beautiful Greta Garbo in her early starrers. Ingrid Bergman in
“Stromboli” and “St. Joan of Arc.” Marilyn Monroe in “The Asphalt Jungle” and
“Some Like It Hot.” Peter O’Toole in “Lawrence of Arabia.” Albert Finney in
“The Entertainer.” Jodie Foster in “Taxi Driver.” Julie Andrews in “Mary
Poppins.” Terence Stamp in “Rob Roy.” Richard Burton in “Look Back in Anger.”
Michael Cane in “Alfie.” Debbie Reynolds in “Singin’ in the Rain.” Julie
Christie in “Dr. Zhivago.” Catharine Deneuve in “Umbrellas of Cherbourg.”
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